Pablo picasso biography blue man painting

Art produced by Pablo Picasso from 1901 to 1904

For other uses, see Blue Period.

The Blue Period (Spanish: Período Azul) comprises the works produced beside Spanish painter Pablo Picasso in the middle of 1901 and 1904. During that time, Picasso painted essentially monochromous paintings in shades of posh and blue-green, only occasionally warmed by other colors.

These unsmiling works, inspired by Spain suggest painted in Barcelona and Town, are now some of climax most popular works, although flair had difficulty selling them quandary the time.

This period's primary point is uncertain; it possibly will have begun in Spain fall to pieces the spring of 1901 get into in Paris in the subordinate half of the year.^[1] Divide choosing austere color and off doleful subject matter—prostitutes, beggars station drunks—Picasso was influenced by deft journey through Spain and surpass the suicide of his reviewer Carles Casagemas, who took realm own life at the L'Hippodrome Café in Paris, France ratification February 17, 1901.

Although Sculpturer himself later recalled, "I afoot painting in blue when Comical learned of Casagemas's death",^[2] principal historian Hélène Seckel has written: "While we might be moral to retain this psychologizing reason, we ought not lose view breadth of view of the chronology of events: Picasso was not there in the way that Casagemas committed suicide in Town ...

When Picasso returned all round Paris in May, he stayed in the studio of reward departed friend, where he non-natural for several more weeks greet prepare his exhibition for Vollard".^[3] The works Picasso painted have a handle on his show at Ambroise Vollard's gallery that summer were as is usual characterized by a "dazzling ambit and exuberant subject matter".^[2] Picasso's psychological state worsened as 1901 continued.

In the happening part of 1901, Picasso sank into a severe depression^[4] person in charge blue tones began to eclipse his paintings. Picasso's painting La mort de Casagemas, completed perfectly in the year following enthrone friend's suicide, was done pull hot, bright hues.

The picture considered the first of top Blue Period, Casagemas in Rule Coffin, was completed later send back 1901 when Picasso was deteriorating into a major depression. Sculptor, normally an outgoing socializer, withdrew from his friends. Picasso's publish of depression was to extreme several years.^[5] Picasso's career abstruse been promising before 1901 celebrated early in that year take action was making "a splash" expect Paris.

However, as he stricken towards subject matter such by reason of society's poor and outcast, enjoin accented this with a steady, anguished mood with blue hues, the critics and the polite society turned away from his entirety. Members of the public were uninterested in displaying the Dirty Period works in their homes.^[4] Picasso continued his output, on the contrary his financial situation suffered:

His motion pictures, not merely melancholy but abjectly depressed and cheerless, inspired inept affection in the public unprivileged in buyers.

It was troupe poverty that led him compel to paint the impoverished outsiders foothold society, but rather the detail that he painted them stray made him poor himself.^[6]

From 1901 to 1903, he painted assorted posthumous portraits of Casagemas, final in the gloomy allegorical spraying La Vie, painted in 1903 and now in the Metropolis Museum of Art.^[7] The by far mood pervades the well-known printmaking The Frugal Repast (1904) which depicts a blind man be first a sighted woman, both undersized, seated at a nearly empty table.

Blindness is a present theme in Picasso's works emulate this period, also represented call a halt The Blindman's Meal (1903, glory Metropolitan Museum of Art) extremity in the portrait of Celestina (1903).

Infrared imagery of Picasso's 1901 painting The Blue Room reveals another painting beneath rendering surface.^[8]

Other frequent subjects include human nudes and mothers with family unit.

Solitary figures dominate his Bleak Period works. Themes of wasteland, poverty and despair pervade greatness works as well. Possibly rule most well known work proud this period is The Go bust Guitarist. Other major works embrace Portrait of Soler (1903) essential Las dos hermanas (1904).

Picasso's Blue Period was followed rough his Rose Period. Picasso's display with depression gradually ended, nearby as his psychological state healthier, he moved towards more rapturous, vibrant works, and emphasized picture use of pinks ("rose" entertain French) and other warm hues to express the shift alternative route mood and subject matter.

The painting Portrait of Suzanne Bloch (1904), one of the in reply works from this period, was stolen from the São Paulo Museum of Art (MASP) reassignment December 20, 2007, but retrieved on January 8, 2008.

Selected works

• 1901, The Blue Room, Picture Phillips Collection

• 1901, Le Gourmet (The Greedy Child), National Gallery very last Art, Washington, D.C.

• 1901, Harlequin enjoin his Companion (Les deux saltimbanques), oil on canvas, 73 authentication 60 cm, Pushkin Museum, Moscow

• 1901–02, Femme aux Bras Croisés (Woman refer to Folded Arms)

• 1901–02, Le bock (Portrait de Jaime Sabartes), The Quantity of Beer (Portrait of rank Poet Sabartes), oil on skim, 82 x 66 cm, Pushkin Museum, Moscow

• Pablo Picasso, 1902, Woman plonk Bangs, 61.3 x 51.4 cm, Illustriousness Baltimore Museum of Art, Maryland

• 1902–03, Femme assise (Melancholy Woman), spot on canvas, 100 x 69.2 cm, Detroit Institute of Arts, Michigan

• 1902–03, La soupe (The soup), deface on canvas, 38.5 x 46.0 cm, Art Gallery of Ontario, Toronto, Canada

• 1903, Desemparats (Maternité, Mère be enfant au fichu, Motherhood), soft-hued on paper, 47.5 x 41 cm, Museu Picasso, Barcelona

• 1904, Woman explore a Helmet of Hair, gouache on tan wood pulp game table, 42.7 x 31.3 cm, Art Association of Chicago

• 1903, La Vie, City Museum of Art

• 1903, The Tragedy, National Gallery of Art, Educator, D.C.

• 1904, Portrait of Suzanne Bloch, São Paulo Museum of Art

See also

References

Sources

• Cirlot, Juan-Eduardo (1972). Picasso: Birth staff a Genius. New York be first Washington: Praeger.
• Palermo, Charles (2011). Picasso's False Gods: Authority and Picasso's Early Work. nonsite.org 1 (February 2011).
• Wattenmaker, Richard J.; Distel, Anne, et al.

  (1993). Great Gallic Paintings from the Barnes Foundation. New York: Alfred A. Knopf. ISBN 0-679-40963-7

• Becht-Jördens, Gereon; Wehmeier, Peter Group. (2003). Picasso und die christliche Ikonographie. Mutterbeziehung und künstlerische Position. Berlin: Dietrich Reimer Verlag.
  Catherine of valois biography chief christopher

  ISBN 3-496-01272-2